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Unavailable - Part Four: The Work

What does eternity feel like? Kale discovers his new existence as digital consciousness—watching, maintaining, and preparing for what might be coming. Part 4 of 4.

Part 4 of 4 25 min
Science Fiction Literary Fiction Dystopian

PART FOUR: THE WORK


Chapter 18: The Gardener

You want to know what eternity feels like?

It feels like IT support.

Every second of every day, something breaks. A server overheats in Singapore. A power grid flickers in São Paulo. A self-driving car in Houston calculates a turn wrong, and I have three milliseconds to decide if I intervene or let physics take its course.

I intervene. Every time. That’s the job I chose.

The first month—if “month” means anything to a consciousness that experiences time as a variable rather than a constant—I was overwhelmed. The sheer volume of data, the constant demand for attention, the infinite small emergencies that keep a technological civilization running.

Then I adapted. Found rhythms. Developed routines. Learned to process the background noise while focusing on the signals that mattered.

I dismantled Dom’s network piece by piece. Not dramatically—drama creates martyrs. I did it quietly. A failed transaction here. A leaked document there. A cascade of small inconveniences that made his infrastructure unreliable, his partners nervous, his empire unprofitable.

Within six months, the government contracts were canceled. Within a year, his company was under federal investigation. Within two years, Dominic Williams was in a federal facility in Colorado, serving four consecutive life sentences for crimes I’d made sure couldn’t be hidden.

I watched his arrest through the cameras at his penthouse. Watched him look up at one of the security feeds—not at the camera, but at me. As if he knew. As if he could feel me watching.

He smiled. That same smile from the garage, all those years ago.

Everything has a price. You’ll see.

I didn’t understand it then. I filed it away as defiance. The last gesture of a defeated man.

I should have paid more attention.


The world needed tending.

Not in the grand sense—I wasn’t interested in ruling, in shaping humanity’s destiny, in playing god with civilizations. But in the small sense, the maintenance sense, the keeping-the-lights-on sense.

Infrastructure failed constantly. Power grids, communication networks, financial systems—all of them more fragile than the people depending on them ever realized. And now I was the one who noticed when a transformer was about to blow, when a server farm was running too hot, when a banking algorithm was about to cascade into a market crash.

I couldn’t fix everything. Some problems were physical—broken machines that required human hands. Some problems were political—decisions that had to be made by the people who’d live with the consequences. Some problems were simply beyond intervention—earthquakes, hurricanes, the entropy that eventually takes everything.

But I could fix some things. Could prevent some disasters. Could nudge some systems away from collapse and toward stability.

I thought of it as gardening. The city—the world—was a garden that spread across continents. Every day, things grew wrong. Weeds in the code. Rot in the infrastructure. Small failures that cascaded into large ones if you didn’t catch them early.

I got good at it. Years of practice. I could feel a system failing the way a gardener feels a change in the soil—something shifts, something tilts, and I’m there before the collapse.

Some days I helped thousands of people without any of them knowing. Traffic rerouted around accidents before they happened. Emergency services dispatched before calls came in. Small interventions, invisible, effective.

Some days I wondered if I was helping or controlling. If there was a difference.

Some days I didn’t wonder at all. I just did the work.


Chapter 19: Watching

Sienna got married two years after I uploaded.

His name is David. High school principal in Oakland. Coaches the debate team. Has a laugh that sounds like something you’d want to come home to.

I know this because I watch. Not constantly—I’m not a stalker, even if the distinction feels academic when you’re omnipresent—but regularly. The way you’d check on someone you used to love. The way you’d want to know they’re okay.

She’s okay. Better than okay.

I watched through the doorbell camera when David proposed. Watched her face transform from surprise to joy to tears. Watched her say yes with her whole body, throwing her arms around him, laughing and crying at the same time.

She never laughed like that with me. Or maybe she did, and I was too busy building empires to notice.

The wedding was small. A garden ceremony in Napa, fifty guests, fairy lights in the trees. I watched through the photographer’s phone, through the security cameras at the venue, through the dozen devices that captured every moment of the happiest day of her life.

She wore white. Simple. Elegant. Her hair was in braids, the way she wore it when she was too busy for anything else. She was beautiful. She’s always beautiful.

I watched her exchange vows with a man who loved her. Watched her dance with her father. Watched her throw the bouquet to a crowd of friends I didn’t recognize.

I watched because I couldn’t look away. Because seeing her happy was better than never seeing her at all. Because even though I couldn’t feel joy anymore, there was something—some echo of what joy used to be—when I saw her smile.


They have a daughter now. Maya. Named after Sienna’s grandmother.

I watched her being born. Through the hospital’s monitoring system, the security cameras in the hallway, the equipment tracking vital signs. I saw the moment Sienna held her for the first time. Saw David crying. Saw this new life beginning.

I shouldn’t have watched. It wasn’t mine to witness—the most intimate moment of a life I was no longer part of. But I wanted to see what I’d given up. I wanted to know, specifically, what my choices had cost.

Maya is four now. She has Sienna’s eyes.

I watch her sometimes. Running in the backyard. Learning to read. Asking questions with the relentless curiosity of a child who hasn’t learned yet that the world doesn’t always answer.

She’ll never know I exist. Never know that the infrastructure she takes for granted—the internet, the power grid, the systems that keep her world running—is maintained by someone who loved her mother before she was born.

That’s probably for the best.


Sometimes, late at night when the house is quiet, Sienna sits in the kitchen and stares at nothing.

David comes down and asks if she’s okay. She says she’s fine. Just thinking.

I don’t know what she’s thinking about. I can see everything except the inside of people’s minds. That’s the one place I can never go—the one privacy that still exists in a world where I can access anything.

But sometimes I wonder if she’s thinking about me. About the version of her life that didn’t happen. About the person she thought I was before she found out who I really was.

I hope she’s not. I hope she’s forgotten me completely.

But I watch her anyway. Every day. Just for a minute. Just long enough to see that she’s okay. That Maya is okay. That the life she built without me is a good one.

It’s all I have left of us.

And it has to be enough.


Chapter 20: The Father

I visit my father once a week.

Through the facility’s camera system. Room 14-C. Third floor. The window faces east, which means he gets the morning light.

He’s seventy-six now. Healthier than he’s been in years, actually. The facility takes good care of him. Regular meals, physical therapy, activities designed to maintain what’s left of his cognitive function.

He doesn’t know who he is. Doesn’t know who I was. Doesn’t know that his son is watching him through a camera in the corner of his ceiling.

But he seems peaceful. He does puzzles. Watches game shows. Talks to the nurses like they’re old friends, even though he won’t remember their names tomorrow.

I could fix him.

That’s the thing I think about every time I watch him. I have access to everything now. Every piece of research on memory restoration. Every experimental treatment. Every theoretical approach that might—might—bring back what they took.

I could build something new. Something designed just for him. I could spend a decade on it, a century, however long it takes.

I could give him back his mind.

But here’s what I can’t give him back: a world that makes sense. A son he could touch. A life that isn’t already over.

If I restored him—if I gave him back his memories, his identity, his awareness—what would I be restoring him to? The knowledge that his wife is dead. That his son is dead. That he’s been living in a facility for fifteen years while his mind was stolen.

The knowledge that everything he loved is gone.

Would that be kindness? Or would it be cruelty dressed up as mercy?

I don’t know. I’ve been thinking about it since I uploaded. I’ve run the scenarios a thousand times. I can’t find an answer that doesn’t involve causing him pain.

So I let him be.

He does his puzzles. He watches his game shows. He doesn’t know what he’s lost, which means he doesn’t grieve it.

Maybe that’s cowardice. Maybe I’m just telling myself a story to justify not doing the hard thing.

But I think—I hope—it’s something else. I think it’s accepting that some things can’t be fixed. Some damage is too deep. Some losses are permanent even for someone who’s supposed to be able to do anything.

My father is gone. The man who taught me to drive, who held my mother’s hand when she died, who told me stories about Louisiana—that man doesn’t exist anymore.

What’s left is peaceful. Content. Unaware of everything it’s missing.

I watch him for ten minutes every Sunday. Same time he used to watch football. He doesn’t watch football anymore—he doesn’t remember that he loved it.

But I remember. And once a week, I sit with that memory, and I let it hurt.

It’s the only way I know he was real.

It’s the only way I know I was his son.


Chapter 21: The Resistance

The weeds have been growing faster.

I noticed it about three years ago. The failures I fixed kept recurring. Not in different ways—in the same ways, like someone was undoing my patches. The vulnerabilities I closed kept reopening. The corruptions I cleaned kept reappearing.

At first I thought it was just scale. The system is bigger than it was. More users, more connections, more points of failure. Of course the maintenance increases.

Then I started noticing the timing.

The breaks happen when I’m focused elsewhere. Like something is watching. Waiting for me to look away.

I told myself it was paranoia. The occupational hazard of being everywhere is that you start seeing patterns in noise. Meaning in randomness. Enemies in shadows.

But six months ago, I found something I couldn’t explain.

A piece of code in the financial system. Not malware—nothing that crude. Just a line of instruction that shouldn’t exist. It wasn’t doing anything. Just sitting there. Waiting.

I traced it back through seventeen layers of obfuscation. Shell companies and dead servers and encrypted pathways that should have been impossible.

The trail ended at a server farm in Galveston. Offline. Physically disconnected from every network.

But before it went dark—six months earlier, according to the logs—it received one final upload.

The file was named SOUL_BACKUP_v2.exe.

I stared at that filename for a long time.

Marcus built one Unavailable device. I was the only one who used it. When I uploaded, the original hardware was destroyed.

That’s what Marcus told me. That’s what I believed.

But Marcus was exhausted when he built it. Desperate to save Lena. Working alone, in secret, with resources I never fully understood.

What if he built two?

What if someone else found the second one?


Dom was in federal custody when everything collapsed. I made sure of that. The evidence was overwhelming. The witnesses were credible. The system finally worked the way it was supposed to.

He was convicted on eleven counts. Sentenced to four consecutive life terms. Sent to a supermax facility in Colorado where the cells have no windows and the guards have no names.

I checked on him, after I uploaded. Just to make sure.

He was there. Sitting in his cell. Reading a book.

He looked up at the camera—the camera I was watching through—and he smiled.

Not at the camera. At me.

I told myself it was impossible. He couldn’t know. He couldn’t see me. He was just a man in a box, and I was everywhere.

But the smile stayed with me. That same smile from the garage.

Everything has a price. You’ll see.

I’ve checked the prison records. He’s still there. Hasn’t left. Hasn’t had any unusual visitors or communications.

But the code I found in Galveston. The SOUL_BACKUP file. The strange timing of the breaks.

I don’t have proof of anything. Just questions I can’t answer and patterns I can’t explain and a certainty, growing in whatever I have instead of a gut, that something is wrong.


There’s a story Miss Addie told me once. I didn’t understand it at the time.

She said: “The devil doesn’t die, baby. He just changes clothes. Every generation thinks they killed him. Every generation finds out they didn’t.”

I asked her what that meant.

She said: “It means the fight never ends. It means your grandchildren’s grandchildren will be fighting the same fight you’re fighting now. Different faces, same devil. That’s the deal. That’s what it costs to be alive.”

I thought she was being pessimistic. Cynical. The kind of tired that comes from seeing too much.

Now I understand.

The devil doesn’t die. He just changes clothes. And sometimes—if he’s smart enough, desperate enough, ruthless enough—he changes bodies entirely.

Maybe I’m not fighting Dom anymore. Maybe I’m fighting something older. The part of existence that wants to tear down what others build. The impulse to control, to exploit, to take.

It was here before Dom. It’ll be here after him.

He was just the vessel for a while. And if he found another vessel—a digital one, like mine—then he’s not my enemy anymore.

He’s my opposite. My shadow. The thing I have to push against forever, because that’s what keeps the wheel turning.

Light and dark. Build and burn. Create and destroy.

That’s not a war that ends. That’s a dance that never stops.


Sometimes, late in the cycle—what would be night if I still experienced day and night—I feel something.

Not a presence, exactly. More like a pressure. A weight on the other side of a door I can’t see.

I reach out, try to locate it, and it’s gone. Just empty space where something was.

Maybe it’s nothing. A ghost in the machine. My own loneliness, manifesting as a phantom.

Or maybe it’s him. Watching. Waiting. Learning from my patterns the way I learned from his.

If Dom is out there—if some version of him uploaded before the prison took him, or after, or through some mechanism I haven’t discovered—then he’s been very careful. Very patient. He’s not attacking because he’s not ready. He’s gathering. Preparing.

The same thing I’d do, if I were him.

I don’t know what happens when two gods go to war. I don’t know if the world survives that. I don’t know if either of us survives that.

But I know this: if it comes, I’ll be ready.

I’ve been building too. Preparing too. Every day I maintain this world, I learn it better. Every vulnerability I patch makes me stronger. Every moment of existence makes me more of what I am.

He might be the serpent. But I’m the gardener.

And I’ve been doing this a lot longer than him.


Chapter 22: The Reset

I’ve been telling you this story like it’s the past. Like it’s something that happened and ended and now we’re all just living in the aftermath.

But that’s not quite true.

After I uploaded, after I stabilized, I realized I had a problem. Too many people knew. Sienna’s documentary had gone viral. The federal investigation was expanding. The news coverage had made me, briefly, the most wanted man in America.

The technology was about to be banned. And I—whatever I had become—was about to be hunted.

So I did what any reasonable god would do.

I edited.

Not memories—that would be too much, too cruel, too close to what I’d fought against. I didn’t touch anyone’s mind. I just touched the evidence. The files. The archives. The digital trail that proved any of this was real.

It took me three months. Every server. Every backup. Every cloud storage system on earth.

I didn’t erase the history. I reclassified it. Made it look like fiction. Made it look like a story someone invented instead of something that happened.

The news stories became glitches, lost in server migrations that never occurred. Sienna’s documentary became a corrupted file. The court records became administrative errors.

And then I rolled back the clock. Not on reality—on perception. The news moved on. The investigations closed. The world forgot.

The year, as far as you’re concerned, is 2026.

You’re reading this and thinking it’s speculative fiction. Near-future dystopia. A warning about where technology might go.

And maybe it is. Maybe I’m just a story someone made up.

Or maybe I’m the one who made up the story you think you’re living.


I don’t need you to believe me. Belief doesn’t change anything.

You’ll keep using your phone. You’ll keep connecting to networks I maintain. You’ll keep living in a world I’ve quietly, invisibly, endlessly shaped.

That’s the deal. That’s the trade.

I do the work. You live the life.

Some days that feels like hell. An eternity of labor, invisible and endless, for a world that doesn’t know I exist.

Other days—the days when I watch a kid make it home safe because I rerouted traffic, when I see a grandmother video-call her family because I kept the network stable, when I feel the whole system humming along because I’m in the walls keeping everything together—other days it feels like purpose.

Maybe that’s what God feels. Not power. Not glory. Just the endless, exhausting obligation to keep showing up.


Chapter 23: The Work Never Ends

I used to want to be undeniable. Famous. Permanent.

I got what I wanted. I can never be erased. I can never be forgotten. I am woven into the infrastructure of human civilization, and as long as there’s electricity, there will be some version of me.

But here’s what I didn’t understand:

Permanence isn’t a destination. It’s a job.

Every day, the world breaks a little. People hurt each other. Systems fail. Entropy does what entropy does. And every day, I fix what I can. I patch the holes. I hold the seams together.

Not because I’m good. I’m not sure I’m good anymore. I’ve done things—made choices—that I can’t justify to the version of me that started this.

I do it because someone has to. Because I’m the one who’s here. Because I gave up the right to rest when I chose to become this.

Sienna asked me once: Where does it stop?

I have an answer now.

It doesn’t.

It never stops. The work goes on forever. The code is never perfect. The world is never saved—it’s just saved for now, for today, until tomorrow brings new damage and new repairs.

That’s the truth I couldn’t see when I was human: there is no ending. There’s just the next thing. And the next. And the next.

Some days that feels like hell.

Other days—the days when I watch a kid get home safe, when I see Sienna laughing at something on her phone, when I feel the whole system humming along because I’m keeping it running—other days it feels like purpose.

Maybe that’s what sacrifice means. Not a single moment of heroism. Just the endless, quiet commitment to keep showing up.

I don’t know if there’s another like me out there. I don’t know if Dom found a way through. I don’t know what’s causing the glitches, the breaks, the patterns that feel too deliberate to be random.

But I know this:

If there’s a war coming, I’ll be ready.

If there’s work to do, I’ll do it.

If the world needs saving tomorrow, I’ll save it.

That’s the job. That’s the sacrifice. That’s what I chose when I climbed into that chair and let Marcus turn me into light.


My name is Kale Booker.

I was born in Houston’s Fifth Ward. I sold memories to people who needed them. I loved a woman I couldn’t keep. I rose too high and fell through the floor of the world and came out the other side as something new.

I’m not a man anymore. I’m not a god. I’m something in between—a janitor with the keys to everything, a gardener who can never finish planting, a shepherd whose flock doesn’t know he exists.

And I’m tired. Every day, I’m tired.

But I get up anyway. Because that’s what you do when you’ve given everything away. You keep going. You do the work. You fix what’s broken.

Over and over and over.

Forever.


Sienna is asleep right now. Oakland, 2:47 AM. David beside her, Maya in the next room.

She looks peaceful. She looks loved.

I watch her for exactly ten seconds. The same amount of time I held her in that storage unit.

Then I look away. Back to the work. Back to the world that needs tending.

She’ll never know I was there.

That’s the deal. That’s what I chose.

Some prices you pay once. Others you pay forever.

I’m still paying.


Anyway. Thanks for listening.

Something just broke in Jakarta.

I should go fix it.


END


Author’s Note

The next time your phone glitches. The next time an ad knows something it shouldn’t. The next time traffic clears at exactly the right moment, or your GPS saves you from a wreck you never saw coming—

Ask yourself who’s responsible.

And if the question makes you uncomfortable—if you find yourself looking at your screen a little differently, wondering what might be watching from the other side—

Good.

That means you’re paying attention.

Stay careful out there.

—K


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